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Gagosian is proud to support The Art of Wishes Benefit Auction, founded by Make-A-Wish UK patron, Batia Ofer.

In advance of the auction on October 1, presented by children’s charity Make-A-Wish UK, a showcase preview of the artworks will be on display at Phillips auction house, London, from September 19–20. Works by Virgil Abloh, Michael Craig-Martin, Takashi Murakami, and Richard Wright have been donated for the event. Follow the link in our bio to view the works on Artsy. 
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#ArtofWishes2019 #MakeAWishUK #VirgilAbloh #MichaelCraigMartin #TakashiMurakami #RichardWright #Gagosian @phillipsauction @makeawishuk @artsy @batiaofer @takashipom @virgilabloh 
Takashi Murakami and Virgil Abloh, “Illusion Arrows and Flower,” 2018 © Virgil Abloh and © Takashi Murakami
#OehlenNewPaintings: Albert Oehlen was born on this day, September 17, in Krefeld, Germany! Visit "Albert Oehlen: New Paintings" now on view at Gagosian, Hong Kong and follow the link in our bio to learn more.
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#AlbertOehlen #Gagosian
Installation views, "Albert Oehlen: New Paintings," Gagosian, Hong Kong, September 12–October 26, 2019. Artwork © Albert Oehlen
Don't miss your chance to see "Sally Mann: A Thousand Crossings," before it closes on Sunday, September 22, at Jeu de Paume in Paris!

This exhibition, with more than a hundred photographs, many of which have never been exhibited, explores how Mann's relationship with the American South has shaped her work. From 1985 to 1994 she photographed her three children, Emmett, Jessie, and Virginia, at her family’s summer cabin in the Shenandoah Valley. Rather than depicting the sentimental aspects of childhood, Mann captured its daily activities and mishaps, as well as its psychic complexity. Follow the link in our bio to learn more.
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#SallyMann #Gagosian @athousandcrossings @jeudepaumeparis
Sally Mann, "Gorjus," 1989, Gelatin silver print. Sayra and Neil Meyerhoff © Sally Mann
“Hodgkin and Creed-Inside Out,” an exhibition of works by Howard Hodgkin and Martin Creed, opens tomorrow at The Twist, a new museum by Bjarke Ingels Group located an hour outside of Oslo, Norway, in Christen Sveaas’ Kistefos sculpture park!

The exhibition finds a series of relationships that take us beyond a lyrical reading of Hodgkin’s paintings and radically rethinks his oeuvre. “Inside Out” approaches Creed’s Minimalist work through Hodgkin’s expressionism, drawing on a number of themes including: Minimalist seriality, concepts around objects and language, emotional reparation, the performative body (with its relation to time), and the work of art itself. The exhibition will be on view through November 17. Learn more via the link in our bio!
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#HowardHodgkin #TheTwist #TheTwistKistefos #HodgkinCreed #Gagosian @kistefos @martin_creed @howardhodgkin @guyhrobertson 
Artwork: Howard Hodgkin, "After Visiting David Hockney (second vision)," 1991–92, oil on wood, 48.9 × 61.6 cm © Howard Hodgkin Estate;
#RichardSerra: Join us this evening, from 6–8pm, for the opening of two exhibitions by Richard Serra—“Forged Rounds” at Gagosian, West 24th Street and “Reverse Curve” at Gagosian, West 21st Street, New York! Learn more about both shows via the link in our bio.
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#Gagosian
Richard Serra, "Nine," 2019 © 2019 Richard Serra/Artists Rights Society (ARS), New York. Photo: Rob McKeever
#GagosianViewingRoom: Gagosian is pleased to announce an expanded Online Viewing Room premiering during Frieze London 2019. The upcoming presentation, developed in collaboration with Sterling Ruby, will feature seven primary-market artworks from the personal archive of Ruby, including one new painting and one new sculpture made for this occasion. Ruby has selected seven pertinent secondary-market works by historical artists to be shown each in dialogue with one of his own.

The Online Viewing Room will open concurrently with Ruby’s solo booth at Frieze London, featuring paintings from his "WIDW" series, as well as his solo exhibition of sculptures produced over the past decade, opening on October 2 at Gagosian, Britannia Street, London. It will open at 12:00am on Saturday, September 28, in Hong Kong, and close at 11:59pm on Monday, October 7, in Los Angeles and San Francisco. Sign up for updates via the link in our bio!
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#SterlingRuby #FriezeArtFair #FriezeLondon #FriezeWeek
Sterling Ruby, "LANDING
#RichardSerra: Join us this evening, from 6–8pm, for the opening reception of "Richard Serra: Triptychs and Diptychs," at Gagosian, 980 Madison Avenue, New York. Follow the link via our bio to learn more about Serra's series of new diptych and triptych drawings on view!
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#Gagosian
Richard Serra, "Diptych #6," 2019, paintstick, etching ink and silica on handmade paper, 47 1/2 × 63 1/4 inches (120.7 × 160.7 cm) © 2019 Richard Serra/Artists Rights Society (ARS), New York. Photo: Rob McKeever
". . . and other such stories," the third edition of the Chicago Architecture Biennial, opens on Thursday, Septemeber 19. Work by Theaster Gates is included.

The exhibition invites practitioners and the public to engage with architecture and the built environment as prisms through which to reflect upon social, geopolitical, and ecological processes that affect our collective past, present, and future. Learn more via the link in our bio!
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#TheasterGates #AndOtherSuchStories #ChicagoBiennial #Gagosian @chicagoarchitecturebiennial @theastergates
Theaster Gates’s "Dorchester Projects" (2006–), Chicago. Artwork © Theaster Gates. Photo: Sara Pooley
Piero Golia has been selected to participate in Lincoln PoPs, a contemporary art festival on P Street in downtown Lincoln taking place next weekend. The festival will reflect on the voices and sounds of the world and how the auditory can create dialogue and community.

Golia is creating a new performance piece titled “EMOTIONAL, SPECTACULAR, BLOCKBUSTER!” for the event, which will be presented on Sunday, September 22, at 3pm. Follow the link in our bio for more info! 
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#PieroGolia #LincolnPoPS #Gagosian @lincolnpops @new_atlantis
Piero Golia’s performance for Art Club at the French Academy at Villa Medici, Rome, 2016. Photo: Sebastiano Luciano
#NathanielMaryQuinn: New paintings and works on paper by Nathaniel Mary Quinn are now on view in the exhibition "Hollow and Cut" at Gagosian, Beverly Hills. Follow the link in our bio to read more about the show!
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#Gagosian @nathanielmaryquinn
Installation view, "Nathaniel Mary Quinn: Hollow and Cut," Gagosian, Beverly Hills, September 11–October 19, 2019. Artwork © Nathaniel Mary Quinn. Photo: Jeff McLane
#PenoneSF: Join Gagosian, San Francisco, for a tour of Giuseppe Penone’s exhibition "Foglie di bronzo / Leaves of Bronze" tomorrow at 3pm!

Penone uses objects from the natural world to document the intertwined relationship between humans and nature. Gagosian’s Graham Dalik will provide an overview of the artist’s career, from his early works as a major figure of the Arte Povera movement in the 1960s to the present day, and offer an in-depth look at a selection of the sculptures on view in the show. To attend the free event, RSVP to sftours@gagosian.com.
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#GiuseppePenone #Gagosian
Installation view, "Giuseppe Penone: Foglie di bronzo / Leaves of Bronze," Gagosian, San Francisco, September 12–November 9, 2019. Artwork © 2019 Giuseppe Penone/Artists Rights Society (ARS), New York/ADAGP, Paris. Photo: Johnna Arnold
#NYABF: Gagosian is participating in Printed Matter’s NY Art Book Fair with a special project space marking the release of Taryn Simon’s “An Occupation of Loss” on limited-edition vinyl, published by The Vinyl Factory.

In project room 4, visitors will be able to experience the album at individual listening stations and take a look through the 80-page book, which was designed by Simon and her longtime collaborator Joseph Logan. Follow the link in our bio for more info!
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#NYABF2019 #TarynSimon @printedmatter_artbookfairs @printedmatterinc @momaps1
“Taryn Simon: An Occupation of Loss.” © Taryn Simon and The Vinyl Factory, 2019
#DomesticHorror: Bill Powers will lead a tour of “Domestic Horror” at Gagosian, Park & 75, New York, on Thursday, September 26, at 6pm.

Organized by Powers, the exhibition features several young and emerging artists. It addresses the darker fears that arise when we encounter the unknown, and probes the friction between the civilized world and baser human impulses. Find out more via the link in our bio and RSVP to nytours@gagosian.com. Spaces are limited!
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#Gagosian @halfgallery
Installation view, “Domestic Horror,” Gagosian, Park & 75, New York, September 5–October 19, 2019. Artwork, left to right: © Vaughn Spann, © Natalie Ball, © Genieve Figgis. Photo: Rob McKeever
#GrosseTrouve: Join us tonight for the opening reception of "Katharina Grosse | Tatiana Trouvé" at Gagosian, Basel! This will be the second time that Grosse and Trouvé have exhibited together, after "Le numerose irregolarità" at Villa Medici, Rome, in 2018.

At first, Grosse’s flamboyant prints and Trouvé’s meditative sculptures appear contrapuntally opposed. Despite their contrasting approaches to materiality and hue—or perhaps because of them—each artist’s work animates, illuminates, and adapts to the other’s. Learn more about the exhibition via the link in our bio.
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#KatharinaGrosse #TatianaTrouve #Gagosian @katharina_grosse @tatianatrouve
Installation views, "Katharina Grosse | Tatiana Trouvé" at Gagosian, Basel, September 13–November 16, 2019. Artworks © Katharina Grosse and VG Bild-Kunst Bonn, 2019 and © Tatiana Trouvé
#PenoneSF: Join us this evening, from 6–8pm, for the opening reception of "Giuseppe Penone: Foglie di bronzo / Leaves of Bronze" at Gagosian, San Francisco!
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"Foglie di bronzo / Leaves of Bronze,” the artist’s first exhibition in San Francisco, presents a selection of works in bronze, stone, and marble. Penone uses objects from the natural world to document the intertwined relationship between humans and nature in evolution over a macroscopic, geological timeline. Find out more via the link in our bio!
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#GiuseppePenone #Gagosian
Installation views, "Giuseppe Penone: Foglie di bronzo / Leaves of Bronze," Gagosian, San Francisco, September 12–November 9, 2019. Artwork © 2019 Giuseppe Penone/Artists Rights Society (ARS), New York/ADAGP, Paris. Photos: Johnna Arnold
It’s the last week to see Nancy Rubins's work in ARTZUID before it closes on Sunday, September 15!

The sixth edition of the Amsterdam Sculpture Biennial presents more than sixty figurative sculptures and spatial installations. Learn more via the link in our bio.
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#Gagosian #NancyRubins #ARTZUID @artzuid
Nancy Rubins, “Agrifauna Delicata I,” 2017 © Nancy Rubins. Photos: Thomas Lannes
On the occasion of Huma Bhabha’s first exhibition in Rome, the Galleria Nazionale d’Arte Moderna e Contemporanea will host a conversation between the artist and Cristiana Perrella, director of the Centro per l’Arte Contemporanea Luigi Pecci in Prato, Italy. The free event will take place on Wednesday, September 18, at 6pm!

The show at Gagosian, Rome, features expressive drawings on photographs as well as figurative sculptures carved from cork and Styrofoam, assembled from refuse and clay, or cast in bronze, through which Bhabha probes the tensions between time, memory, and displacement. References to science-fiction, archeological ruins, Roman antiquities, and postwar abstraction combine as she transforms the human figure into grimacing totems that are both unsettling and darkly humorous.
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#HumaBhabha #Gagosian @lagallerianazionale
Huma Bhabha, “Prophet and Loss,” 2019 © Huma Bhabha. Photo: Rob McKeever
#OehlenNewPaintings: Join us tonight, from 6–8pm, for the opening of "Albert Oehlen: New Paintings" at Gagosian, Hong Kong!

In these new paintings, Oehlen emphasizes the importance of spontaneity within his artistic method. Diverging from his recent works created with oil or lacquer on aluminum or the aluminum composite Dibond, Oehlen’s decision to use watercolor in this series marks a stylistic return to his hazy, blended, almost impressionistic oil paintings dating from 2016 and earlier. Learn more via the link in our bio.
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#AlbertOehlen #Gagosian
Albert Oehlen, "Untitled," 2019, watercolor on canvas, 84 1/4 × 72 1/4 inches (214 × 183.5 cm) © Albert Oehlen. Photo: Jeff McLane
Curated by Alison M. Gingeras, "My Life as a Man" opens on Sunday, Septemeber 15, at the Dallas Contemporary! The exhibition focuses exclusively on John Currin’s depictions of his own gender, examining provocative depictions of a range of masculine identities over the course of his career.

Beginning with works made in 1990, the exhibition aims to critically analyze Currin’s male gaze when it is trained on the identity politics of manhood. The show also features more than fifty works on paper and sketchbook drawings of male figures that have never been publicly exhibited. Learn more via the link in our bio.
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#JohnCurrin #Gagosian @dallascontemporary 
John Currin, "The Kennedys," 1996, oil on canvas, 36 × 32 inches (91.4 × 81.3 cm). Private collection, Cascais, Portugal © John Currin. Photo: Rob McKeever
#NathanielMaryQuinn: Join us this evening, from 6–8pm, for the opening of "Nathaniel Mary Quinn: Hollow and Cut" at Gagosian, Beverly Hills!

While Quinn’s portraits might resemble collages, they are actually rendered by hand with oil paint, charcoal, gouache, oil stick, pastels, and gold leaf. He begins with a vision—a vague flash of a face from his past—that he feels viscerally compelled to translate into reality. Learn more via the link in our bio.
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#Gagosian @nathanielmaryquinn 
Nathaniel Mary Quinn at "Hollow and Cut," Gagosian, Beverly Hills, September 11–October 19, 2019. Artwork © Nathaniel Mary Quinn
Carsten Höller presents a large-scale die made of Portuguese limestone in “Expanded,” currently on view at the Fondazione Giorgio Cini in Venice.

The exhibition features three newly commissioned works in stone by Höller, Marina Abramovic, and Julião Sarmento. It is part of “Primeira Pedra” (First Stone), an experimental international research program that explores the potential of Portuguese stone. Find out more via the link in our bio!
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#CarstenHoller #BiennaleArte2019 #Gagosian @fondazionegcini @experimentadesign @labiennale
Carsten Höller, “Dice (Limestone),” 2019 © Carsten Höller. Photo: Ricardo Gonçalves, courtesy the artist and the First Stone Programme
#GrosseTrouve: Gagosian is pleased to present recent works by Katharina Grosse and Tatiana Trouvé. The exhibition will inaugurate Gagosian’s Basel gallery programming, following "Continuing Abstraction," the group exhibition presented in conjunction with Art Basel 2019.

At first, Grosse’s flamboyant prints and Trouvé’s meditative sculptures appear contrapuntally opposed: silk against bronze and glass; dripping, aleatory colors against spare lines and volumes. Despite their contrasting approaches to materiality and hue—or perhaps because of them—each artist’s work animates, illuminates, and adapts to the other’s. Stop by the opening on Friday, September 13, from 6–8pm, at Gagosian, Basel!
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#KatharinaGrosse #TatianaTrouve #Gagosian @katharina_grosse
Left: Katharina Grosse, "Untitled," 2019 (detail) © Katharina Grosse and VG Bild-Kunst Bonn, 2019. Right: Tatiana Trouvé, "Les indéfinis," 2017–18 (detail) © Tatiana Trouvé
#NathanielMaryQuinn: Last week's edition of the Wall Street Journal included a profile on Nathaniel Mary Quinn. In the article, Quinn discusses the ways in which his life and work have become inextricable, and how that relationship has developed into the subjects of his newest paintings.
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"Nathaniel Mary Quinn: Hollow and Cut," opens tomorrow evening at Gagosian, Beverly Hills, make sure to stop by! The magazine hits stands on September 14, or follow the link in our bio to read the full article online!
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#WSJMagazine #Gagosian @wsjmag @nathanielmaryquinn 
Writer: Rebecca Bengal. Photos: @edeani
“Error” features a selection of the Urs Fischer's most notable large-scale sculptures and paintings from the Brant Collections. The solo exhibition is on view through September 13 at the Brant Foundation in Greenwich, Connecticut, and marks the Foundation’s tenth anniversary at its Greenwich space. Find out more via the link in our bio!
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#UrsFischer #TheBrantFoundation #Gagosian @thebrantfoundation
Installation views, "Urs Fischer: Errors," Brant Foundation, Greenwich, Connecticut, May 13–October 1, 2019 © Urs Fischer. Photos: Stefan Altenburger
#SimonHantai: Gagosian is pleased to announce the representation of the Estate of Simon Hantaï.

Born in Bia, Hungary, in 1922, Hantaï is best known for originating the technique of “pliage” (folding), in which a canvas is crumpled and knotted, uniformly painted over, and then spread out to reveal a matrix of abstract alternations between pigment and ground. Hantaï moved to Paris in 1948 and began creating "pliage" paintings in 1960, conceiving of the process as a marriage between Surrealist automatism and the allover gestures of Abstract Expressionism. The technique dominated the work he made during the rest of his career, re-emerging in diverse forms.

To inaugurate Hantaï’s representation, “LES NOIRS DU BLANC, LES BLANCS DU NOIR,” an exhibition of black-and-white paintings and prints dating between 1969 and 1997, will be presented at Gagosian, Le Bourget. Find out more via the link in our bio. 
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#Gagosian
Simon Hantaï in his studio, Meun, France, 1967. Artwork © Archives Simon Hantaï/ADAGP, Paris
“After I do all these Venuses, it becomes a temptation to do a few Marses.”
—John Currin, Interview Magazine

John Currin spoke with Marc Jacobs for Interview Magazine on the occasion of his exhibition “My Life As a Man,” which opens on September 15 at the Dallas Contemporary.

The two discussed the artist’s upcoming show, which will focus on depictions of men painted over the course of his career, and what painting men has taught Currin about himself. Follow the link in our bio to read the interview!
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#JohnCurrin #MarcJacobs #Gagosian @themarcjacobs @dallascontemporary @interviewmag 
John Currin, “Fishermen,” 2002 © John Currin
The solo presentation, "Douglas Gordon: In My Shadow," is now on view at the ARoS Aarhus Art Museum in Denmark!
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"In My Shadow" is one of the most extensive demonstrations of Douglas Gordon’s work in Europe to date and shows a wide selection of the artist’s most important works. Learn more via the link in our bio.
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#DouglasGordon #Gagosian @arosartmuseum
Photos: Anders Sune Berg
#ZaoWouKi: Join us this evening, from 6–8pm, for the opening reception of "Zao Wou-Ki" at Gagosian, 976 Madison Avenue, New York. The exhibition pays homage to the close, enduring friendship between Zao Wou-Ki and the Chinese-American architect I. M. Pei (1917–2019).
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Zao Wou-Ki’s compositions present a delicate balance, harboring moments of risk within an exploration of abstraction, exploding onto the paper at different velocities as if tracing the artist’s innermost impulses and desires. Learn more via the link in our bio!
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#Gagosian
Installation views, "Zao Wou-Ki," Gagosian, 976 Madison Avenue, New York, September 9–October 26, 2019. Artwork © 2019 Artists Rights Society (ARS), New York / ProLitteris, Zurich. Photos: Rob McKeever
#GagosianQuarterly: "I try to find ways to articulate visually that which is often unseen."
—Nathaniel Mary Quinn

Anderson Cooper spoke with the artist at his Brooklyn studio about his childhood and the visionary nature of his art. Follow the link via our bio to read the interview!
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#NathanielMaryQuinn #AndersonCooper #Gagosian @andersoncooper @nathanielmaryquinn
(1) Nathaniel Mary Quinn, "Duckworth," 2018, oil paint, paint stick, oil pastel, and gouache on linen, 36 × 36 inches (91.4 × 91.4 cm) © Nathaniel Mary Quinn
(2) Nathaniel Mary Quinn, Brooklyn, New York, 2019. Photo: Kyle Dorosz
Visit "Anselm Kiefer: Bøker og tresnitt" at Astrup Fearnley Museum in Oslo before it closes this Saturday!

The exhibition aims to point out the various connections Kiefer has with poetry, myths, history, philosophy, and alchemy, through a collection of artist’s books dating from the years 1969 to 2017, along with a selection of his woodcuts. Find out more via the link in our bio. 
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#AnselmKiefer #AstrupFearnley #Gagosian @astrupfearnley
Installation views, "Anselm Kiefer: Bøker og tresnitt," Astrup Fearnley Museum, Oslo, May 29–September 14, 2019. Artwork © Anselm Kiefer
#DomesticHorror: Now on view at Gagosian, Park & 75, New York, "Domestic Horror" addresses the darker fears that arise when we encounter the unknown, and probes the friction between the civilized world and baser human impulses.

Organized by Bill Powers, the exhibition includes works by Natalie Ball, Louise Bonnet, Ginny Casey, Genieve Figgis, Ewa Juszkiewicz, Tanya Merrill, Cheikh Ndiaye, Rene Ricard, Pauline Shaw, Lucien Smith (with Glenn O’Brien), Vaughn Spann, and Chloe Wise. Find out more via the link in our bio!
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#Gagosian @halfgallery
Installation views, “Domestic Horror,” Gagosian, Park & 75, New York, September 5–October 19, 2019. (1) Artwork, left to right: © Louise Bonnet; © Tanya Merrill; (2) Artwork, left to right: © Ewa Juszkiewicz; © Pauline Shaw; © Lucien Smith; © Glenn O'Brien; (3) Artwork, left to right: © Vaughn Spann; © Natalie Ball; © Genieve Figgis. Photos: Rob McKeever
A solo exhibition of works by Rachel Whiteread opened today at the Georgia Museum of Art in Athens!

Using various materials to articulate the negative space surrounding or contained by objects, Whiteread has elaborated various approaches to casting and impression as subject, process, and vehicle for content. In this show, Whiteread is exhibiting a 2010 series of five outdoor stone sculptures, cast from the voids under different chairs. Find out more via the link in our bio.
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#RachelWhiteread #Gagosian @georgiamuseum
Rachel Whiteread, "Untitled," 2010 © Rachel Whiteread
Tomorrow is the last chance to see "Tetsuya Ishida: Autorretrato de otro" at Palacio de Velázquez in Madrid!

In a span of just ten years, Tetsuya Ishida (1973–2005) produced a formidable body of work centered on isolation and alienation in a world dominated by uncontrollable forces. This exhibition—whose title translates to "Self-Portrait of Other"—was organized by the Museo Nacional Centro de Arte Reina Sofía and features works that evoke the uncertainty and desolation of a Japanese society drastically altered by the technological advances and successive crises that have affected economies and politics the world over. Learn more via the link in our bio.
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#TetsuyaIshida #MuseoReinaSofía #Gagosian @museoreinasofia
#Repost @aikenotdown
"Douglas Gordon: In My Shadow" opens today at ARoS Aarhus Art Museum, Denmark! This solo presentation is one of the most extensive exhibitions of Douglas Gordon’s work in Europe to date and shows a wide selection of the artist’s most important works. Learn more via the link in our bio. 
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#DouglasGordon #Gagosian @arosartmuseum
Douglas Gordon, "Phantom," 2011 (still) © Studio lost but found/VG Bild-Kunst, Bonn 2019
Curated by Massimiliano Gioni, this exhibition, whose title translates to "Appearance Stripped Bare: Desire and the Object in the Work of Marcel Duchamp and Jeff Koons, Even," explores the work of both Marcel Duchamp and Jeff Koons.

Don't miss your chance to see “Apariencia desnuda: El deseo y el objeto en la obra de Marcel Duchamp y Jeff Koons, aun” on view through September 29 at Museo Jumex in Mexico City. Learn more via the link in our bio!
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#MuseoJumex #MarcelDuchamp #JeffKoons #Gagosian @jeffkoons @museojumex
#Repost @dressedtomatch
#GagosianQuarterly: "Having children had the most profound impact on the way I make art and see the world. . .They move their bodies without care or judgment, and that’s a precious moment in life."
—Jenny Saville

Sally Mann and Jenny Saville discuss being drawn to difficult subjects, the effects of motherhood on their practice, embracing chance, and their shared adoration of Cy Twombly in a recent "Gagosian Quarterly" article. Follow the link via our bio to read their conversation!
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#JennySaville #SallyMann #Gagosian @a_thousand_crossings
(1) Sally Mann, "Self-Portrait," 1974; (2) Jenny Saville in her studio, c. 1990s
#DesertPainters: Don't miss your chance to see "Desert Painters of Australia Part II" at Gagosian, Beverly Hills before it closes tomorrow!

The exhibition occupies both ground-floor galleries, with paintings by three generations of leading Indigenous Australian artists. These compelling paintings that embody ancestral power offer everything from dynamic geometric patterns to topological imagery, channeling diverse conceptions of land, human life, and the passing of time. Learn more via the link in our bio.
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#Gagosian
Artwork, left to right: © Willy Tjungurrayi/Copyright Agency. Licensed by Artists Rights Society (ARS), New York, 2019; © Yukultji Napangati/Copyright Agency. Licensed by Artists Rights Society (ARS), New York, 2019; © Emily Kame Kngwarreye/Copyright Agency. Licensed by Artists Rights Society (ARS), New York, 2019. Photo: Fredrik Nilsen
#DomesticHorror: Join us this evening for the opening reception of "Domestic Horror," an exhibition organized by Bill Powers, at Gagosian, Park & 75, New York!

Addressing the darker fears that arise when we encounter the unknown, "Domestic Horror" probes the friction between the civilized world and baser human impulses. The word “domestic” contains a potent double meaning here, alluding to the unintended consequences that can occur—in private life and in a larger national and cultural life—where internalized anxieties meet external pressures. Learn more via the link our bio.
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#Gagosian @halfgallery
Ewa Juszkiewicz, "Portrait of a Lady (after Louis Léopold Boilly)," 2019, oil on canvas, 78 × 63 inches (198.1 × 160 cm) © Ewa Juszkiewicz
“Hodgkin and Creed-Inside Out,” an exhibition of works by Howard Hodgkin and Martin Creed, will open on September 18, at The Twist, a new museum by Bjarke Ingels Group located an hour outside of Oslo, Norway, in Christen Sveaas’ Kistefos sculpture park. “Inside Out” finds a series of relationships that take us beyond a lyrical reading of Hodgkin’s paintings and radically rethinks his oeuvre.

The exhibition approaches Creed’s Minimalist work through Hodgkin’s expressionism, drawing on a number of themes including: Minimalist seriality, concepts around objects and language, emotional reparation, the performative body (with its relation to time), and the work of art itself. The exhibition will be on view through November 17. Learn more via the link in our bio!
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#HowardHodgkin #TheTwist #TheTwistKistefos #HodgkinCreed #Gagosian @kistefos @martin_creed @howardhodgkin @guyhrobertson
Artwork: Howard Hodgkin, "Blood," 2005–10, oil on wood, 109.2 × 254 cm © Howard Hodgkin Estate; Martin Creed, "Work No. 224
#GagosianQuarterly: "The concept of ‘happily ever after’ and what shadowy secrets might lurk below continues to fascinate Feinstein and to affect her sculptural practice."
—Alice Godwin

A new sculpture by Rachel Feinstein was unveiled on June 25 on the grounds of Chatsworth, the celebrated Derbyshire estate, where Feinstein recently spent time as Gucci’s inaugural artist in residence. Alice Godwin tells the story of how it came to be in a recent "Gagosian Quarterly" article. Follow the link via our bio to read the piece. 
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#RachelFeinstein #ChatsworthHouse #Gucci #GucciPlaces #Gagosian @rachelfeinsteinstudio @chatsworthofficial @alessandro_michele @gucci
(1) Rachel Feinstein, “Britannia,” 2019, Chatsworth, Derbyshire; (2) Rachel Feinstein inside the grotto at Chatsworth, 2018; (3) Rachel Feinstein working at the Porzellan Manufaktur Nymphenburg, Munich, 2019. Artwork © Rachel Feinstein. Photos: Samuel Keyte, courtesy Gucci
"Tetsuya Ishida: Autorretrato de otro" closes on Sunday, September 8, at Palacio de Velázquez in Madrid.

In a span of just ten years, Tetsuya Ishida (1973–2005) produced a formidable body of work centered on isolation and alienation in a world dominated by uncontrollable forces. This exhibition—whose title translates to "Self-Portrait of Other"—was organized by the Museo Nacional Centro de Arte Reina Sofía and features works that evoke the uncertainty and desolation of a Japanese society drastically altered by the technological advances and successive crises that have affected economies and politics the world over. Learn more via the link in our bio!
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#TetsuyaIshida #MuseoReinaSofía #Gagosian @museoreinasofia
#Repost: @efrenrod
#GagosianQuarterly: The Fall 2019 issue of "Gagosian Quarterly" is now available, featuring a detail from "Sinking"(2019) by Nathaniel Mary Quinn on its cover!

Inside this issue, Quinn speaks with Anderson Cooper about the visionary nature of his art. We get a glimpse of Sterling Ruby’s newest sculptures and visit Tatiana Trouvé’s "Between sky and earth" in upstate New York. We hear from Albert Oehlen about his newest body of work, paintings made during a recent stay in Los Angeles. We’re delighted to have Carlos Valladares writing on the films and videos of Richard Serra and to have Richard Hell discussing Christopher Wool’s early encounters with German painters including Dieter Roth, Sigmar Polke, Martin Kippenberger, and Albert Oehlen. We take a moment to remember the incredible legacy of Robert Therrien (1947–2019) with Aimee Gabbard and hear from Jack Cowart, executive director of the Roy Lichtenstein Foundation, about the Foundation’s evolution. This edition also includes part three of Mark Z. Danielew
#CyTwomblySculpture: "White paint is my marble.”
—Cy Twombly

Gagosian is pleased to present an exhibition of Cy Twombly’s sculptures, in association with the Cy Twombly Foundation. The exhibition marks the publication of the second volume of the catalogue raisonné of sculptures, edited by Nicola Del Roscio, President of the Cy Twombly Foundation, and published by Schirmer/Mosel. "Cy Twombly: Sculpture" opens Monday, September 30, at Gagosian, Grosvenor Hill, London. Learn more via the link in our bio!
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#CyTwombly #Gagosian
Sally Mann, "Remembered Light, Untitled (Overview)," 2011–12, platinum print, 9 × 14 inches (22.9 × 35.6 cm) © Sally Mann
This is the last week to see “Theaster Gates: Facsimile Cabinet of Women Origin Stories” at the Colby Museum of Art in Waterville, Maine, before it closes on Sunday!

The exhibition features nearly three thousand images from the Johnson Publishing Company, which since 1942 has chronicled the lives of black Americans through the magazines “Ebony” and “Jet.” Theaster Gates’s project, composed from this important archive of black visual culture, recontextualizes and reanimates these images and their histories, as “Facsimile Cabinet” is both a repository and an interactive archive. Find out more via the link in our bio. 
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#TheasterGates #Gagosian @colbymuseum @theastergates 
Theaster Gates, "Facsimile Cabinet of Women Origin Stories," 2018. Artwork © Theaster Gates and Johnson Publishing Company, LLC, all rights reserved
Visit Ikon Gallery in Birmingham, England, to see “The Aerodrome” before it closes this Sunday, September 8.

The exhibition, dedicated to the memory of former Ikon director Michael Stanley, is structured loosely on Rex Warner’s 1941 wartime novel “The Aerodrome,” a book that made a great impression on Stanley. The show features many of the artists he worked with, including Thomas Houseago. Find out more via the link in our bio.
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#ThomasHouseago #IkonGallery #Gagosian @thomashouseago
#Repost: @ikongallery
#TarynSimon: Visit Gagosian, Davies Street, London, to see photographs from Taryn Simon’s ongoing series "Black Square.”
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Begun in 2006, these photographs present objects, documents, and individuals in a black field given the same dimensions as Kasimir Malevich’s 1915 painting of the same name. Selected without any intentional categorization, Simon’s subjects form a randomized index of human invention and activity. They are fragments of recent history—detached from context and freighted with anxiety. Find out more about "A Burn Scar Visible from Space” via the link in our bio!
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#Gagosian 
Installation views, “Taryn Simon: A Burn Scar Visible from Space,” Gagosian, Davies Street, London, August 19–September 21, 2019. Artwork © Taryn Simon. Photos: Prudence Cuming Associates Ltd
Visit the Frick Collection in New York to see "Elective Affinities," an installation of Edmund de Waal’s site-specific works made of porcelain, steel, gold, marble, and glass displayed alongside works from the permanent collection. Follow the link in our bio to find out more!
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#EdmunddeWaal #FrickCollection #deWaalxFrick @frickcollection @edmunddewaal
(1) Edmund de Waal, “from darkness to darkness,” 2019; (2) Edmund de Waal, “noontime and dawntime,” 2019; on view in the West Gallery, as part of “Elective Affinities: Edmund de Waal at the Frick Collection," Frick Collection, New York, May 30–November 17, 2019. Artwork © Edmund de Waal. Photos: Christopher Burke
#DesertPainters: Visit "Desert Painters of Australia Part II" at Gagosian, Beverly Hills before it closes on Friday, September 6!

The exhibition occupies both ground-floor galleries, with paintings by three generations of leading Indigenous Australian artists. These compelling paintings that embody ancestral power offer everything from dynamic geometric patterns to topological imagery, channeling diverse conceptions of land, human life, and the passing of time. Learn more via the link in our bio.
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#Gagosian
(1) Artwork, left to right: © George Tjungurrayi/Copyright Agency. Licensed by Artists Rights Society (ARS), New York, 2019; © Bill Whiskey Tjapaltjarri. Photo: Fredrik Nilsen
(2) Artwork, left and right: © Ronnie Tjampitjinpa/Copyright Agency. Licensed by Artists Rights Society (ARS), New York, 2019; center: © Warlimpirrnga Tjapaltjarri/Copyright Agency. Licensed by Artists Rights Society (ARS), New York, 2019. Photo: Fredrik Nilsen
#FletcherDNA: Today is your last chance to see "The Fletcher Family: A Lifetime in Surf" at Gagosian, 976 Madison Avenue, New York!

Herbie Fletcher’s "Wrecktangles" are large sculptures made from once-perfect, custom surfboards that have been ridden and broken by the greatest contemporary tube riders at the Banzai Pipeline in Hawaii. For years now, elite surfers, known as “Wave Warriors,” have saved their boards to be made into Wrecktangles. The accumulated boards tell oblique stories about the culture of surfing. Learn more via the link in our bio.
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#Gagosian @dibifletcher @herbiefletcher @greyson_fletcher @christianfletcherlives @nathanfletcher @astrodeck @wavewarriors
Installation views, "The Fletcher Family: A Lifetime in Surf," Gagosian, 976 Madison Avenue, New York, July 25–August 30, 2019. Photos: Rob McKeever
Walter De Maria's “Bel Air Trilogy" is featured in the group exhibition, "Atlas," currently on view at Fondazione Prada in Milan! Work by Michael Heizer, Damien Hirst, Carsten Höller, and Jeff Koons is included as well. Learn more via the link in our bio.
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#WalterDeMaria #FondazionePrada #Prada #Gagosian @fondazioneprada 
#Reposts: (1) @mariella.vecchiato (2) @fondazioneprada; Walter De Maria, "Bel Air Trilogy," 2000–11. Photo: Attilio Maranzano